DAY ONE: Prelude to the Shadow Chronicles TPB

By Tommy Yune (plot, art [two-page epilogue]), Jason & John Waltrip (script, art [chapter 4 pages 12-20, chapter 5 pages 1-7]), and Omar Dogan (art [everything else])

(10) Seriously, how long have I been asking for Wildstorm to do this? How long? I feel like I've been asking for this even longer than it's been out. And finally, five years down the road, here it is -- at full comic book trim size, no less. No rinky-dink digest size trade paperback for this puppy.

Note that the ACTUAL cover art is subtly different than what's shown at left. The Cyclone has been replaced with a ROBOTECH 25th Anniversary seal (and is it supposed to be rotated askew like that? I almost wish it was a sticker so I could peel it off and make it straight), and the corridor the Cyclone is zipping through has been replaced with the surface of Optera. Oh, and the Alpha's thruster effects have been recolored a greenish blue. Much greener cover overall. Gives it a cleaner, more uniform look.

Tommy Yune's Rick Hunter looks a lot more like a middle-aged Rick Hunter than either Dogan's or the SHADOW CHRONICLES animation design. On the other hand, I'm not a big fan of his T.R. Edwards. It's not that he's not hewing to Dogan's character design. I think it's the expression. I'm not asking for a crazy gums-out Skeletor grimace (ahem, SENTINELS BK IV #12), but something a little harder, more stern would suit the character more.

(9) Flip open the cover and you see a classy repeat of the end-of-the-filmstrip motif from the opening of the SHADOW CHRONICLES feature (so subtle in the movie that most of you probably missed it; it's much harder to miss here). A few pages later is a TV series screencap-filled basic ROBOTECH timeline, from the crash of the SDF-1 on Earth to the Invid invasion, and a chart showing all the major worlds and locales of the ROBOTECH universe (Earth, the Moon, Space Station Liberty, Tirol, Fantoma, and Optera). There's also a brief rundown of several of the major characters: Rick Hunter, Vince Grant, Dr. Lang, T.R. Edwards, and the Regent.

Thing is, I'd like to conduct an experiment. I'd like to find out if, after just reading these two pages, a newcomer would be able to make heads or tails of this book. You jump in and right away Lynn Kyle is killed off and Minmei is kidnapped. Are either of these characters mentioned on these first two pages? No. (And really, the only purpose Minmei serves in this book is as a MacGuffin, a prop for Edwards to scoop up and toss in a bubbling glass tube; I suppose you don't need to know who she is to follow the story, but it would help the casual reader CARE.) You know what would actually help? Caption boxes in the actual story pages, along the same lines as the (somewhat flippant) ones writer Matt Fraction uses in his similarly character-overflowing UNCANNY X-MEN comic scripts. "LYNN MINMEI: INTERPLANETARY SINGING STAR, ADMIRAL RICK HUNTER'S EX." That sort of thing. The more useful information you provide the better, especially in something like this where the reader is dropped into the middle of the action -- action based largely on a very, very small press black & white comic book run that's been out of print for THIRTEEN AND A HALF YEARS.

(8) Speaking of Minmei, that one page in issue #1 where she was cropped out of the panel? (Dogan drew her being held by two Ghost Squadron pilots, but Tommy & Co. were hemming and hawing over what her character design circa SHADOW CHRONICLES should look like, so the panel was enlarged just enough to crop her out of the picture.) Full reverse, returned to normal size and uncropped. Not surprising given that she appears (sort of) in issue #4, at which point it was decided to just go with a variation on her original character design.

On the other hand, the next two pages after that, featuring Jack Baker saving Daryl Taylor's bacon in a battle with the Invid? Low res as all hell. Sadly pixelated. Not the word balloons or sound FX, just the artwork. Wrong file loaded? Lost the final version due to some nasty hard drive/server crash? Shame. It kind of mars the book. Wonder if there was going to be some kind of art change here given the next thing I noticed, which is --

At the end of issue #1, when Daryl Taylor turns to Jack to ask if he trusts the Sentinels, now he's got an eyepatch taped over his eye -- with the tape right where the slash should be. I always figured he got his wound during some unseen clash during the fighting in the last two issues, not that first battle. Without his helmet breached, how did he get that trendy thru-eye scar?

(7) Between chapters/issues nifty technical files are provided, complete with full color line art. Each file page features one or two ship or mecha designs used in the chapter immediately preceding it. It's a nice touch that gives the collection a good rhythm. Files are provided for the Tokugawa-class battleship, the Shimakaze-class battlecruiser, the Bioroid Interceptor, the Invid Overlord, the SDF-3, the Horizon-V Dropship, the Silverback variable jeep (which I still think should've been called the Hurricane), and the Garfish light cruiser.

(6) Issue #2. Word balloon that was pointing to Janice that should've been pointing to Lang? Fixed. Screaming word balloon that was supposed to be pointing to both Breetai and the Regent when they're getting fried by Edwards's Synchro-Cannon? Still wrong. Or rather, still sloppy. Both tails are still pointing at the Regent's right shoulder.

(5) Rereading issue #2 I'm still confused as to how, at the end of #3, Rick is stomping about on the surface of Optera when there is "almost no oxygen, but high levels of carbon dioxide, methane, ammonia, and traces of silicon and heavy elements." I guess he must be protected by an invisible shield of Dramatic License.

(4) Issue #4 has been almost COMPLETELY recolored. Lots of new lighting and shading effects throughout, and the final confrontation with Edwards now pops and glows. It looks FANTASTIC, and does the Waltrips' art a much better service than what we saw in the single issues. I remember thinking that the opening to issue #5 was leaps and bounds better than what they'd done in issue #4. It still looks a bit better; it was probably a lot less rushed, a lot of the posing looks a lot more natural, and they clearly got a lot more comfortable with the character designs -- but more than that, the coloring made it LOOK like it was leaps and bounds ahead when REALLY it was just a hop and a skip. I'd say if you've got the individual issues and you're on the fence about getting the collection -- halfway there, pondering it, looking at it on the bookstore shelf and sorta squinting at it with the twenty bucks burning a hole in your pocket -- it's ALMOST worth your while to get the collected edition just for this.

(3) Tommy Yune once told me that it was intended for Exedore's final line to be one cribbed from the end of McKinney's final SENTINELS novel, RUBICON: "Haydon has returned unto our world!" And hey, look, there it is! Though it really doesn't make much sense given THE SHADOW CHRONICLES. At least, not yet.

This, of course, assumes that SHADOW RISING will eventually come to pass (or really ANY sort of SHADOW CHRONICLES follow-up) and explain what Haydon is in the context of the modern ROBOTECH canon and what the significance of his return is. (HINT: it will probably be far less impressive than it seemed in THE END OF THE CIRCLE.)

Then we get a BRAND NEW, beautifully drawn two page epilogue by Tommy Yune, in which Marlene/Ariel (looking much more like her TV series self) awakens with a start, leaves her spot between Annie and Lunk in their tent, looks to the sky (that IS the moon she's staring at, right?), and goes, "Not again." I assume this takes place NOT at the same time as the Neutron-S accident (which is what the presentation in the book would imply), but later, after Scott has already taken off to find Admiral Hunter. It's the only thing that makes sense, given that Annie calls her "Ariel," a name she'd know only after "Symphony of Light" (and consequently the first half hour or so of THE SHADOW CHRONICLES). It doesn't add much, but like I said, very pretty. I like it.

(2) The backmatter doesn't include everything that was in the two-page articles that concluded issues #2-5 of the PRELUDE comic book series, but that's OK. The first article, concerning the many attempts to follow-up ROBOTECH between the TV series and the SHADOW CHRONICLES feature, appears completely intact, while the next three from the comics are squeezed into two pages covering the production of THE SHADOW CHRONICLES. Given that these were intended to tease along a then-unreleased film, this makes sense; better to give the last four pages over to more material covering the book you're holding rather than the movie you saw three or four years ago. In the SENTINELS comparisons, there's a whole host of SENTINELS preproduction Edwards cowl designs that I've never seen before (and are hard to make out given that they're presented as hot pink lineart on a crimson background). There's also a vintage Lazlo Zand character design, which is surprising; it matches the design used in the second issue of the SENTINELS WEDDING SPECIAL, but where was he supposed to come into the SENTINELS animation? Unless he was supposed to be talking to Edwards via Liberty's communications system, by the time Earth comes back into play he's supposed to be an oversized Flower of Life (at least, according to the McKinney novels, specifically FINAL NIGHTMARE). Hmm. (The design actually looks more to me like an early, pre-widow's peak Exedore design -- but it's not out of the realm of possibility that it was supposed to be Zand from the start. Maybe Zand was originally intended to be T.R. Edwards's "Exedore" figure to go with his Breetai-like cowl? It wouldn't be the dumbest idea they had for SENTINELS ...)

(Oh, and while Lazlo Zand's name is still spelled "Laslo" in the comic pages, it's spelled correctly in the article.)

On the two pages where the Haydonites are covered, it is stated that "Veidt was redesigned for ROBOTECH: THE SHADOW CHRONICLES, but no Haydonite character is identified by that name in the final cut of the film." However, in THE ART OF ROBOTECH: THE SHADOW CHRONICLES names are given for the Haydonite triumvirate aboard the command vessel and Veidt is one of them. It even gives a bio for each, so if you watch the movie very carefully and follow the dialog closely you can kinda sorta see which is which. Maybe. I think. Okay, honestly, I don't know, I haven't watched it in a while, maybe you can't. The point is, while what's written in the PRELUDE collection is technically true, the ART OF book states that Veidt WAS one of the Haydonites you saw in the movie.

(1) PRELUDE TO THE SHADOW CHRONICLES is still a lovely mess of a story, a series that should have been longer by at least one issue and should have had more time for character beats in order to make the reader give a care beyond leftover affection for Rick, Lisa, Minmei, Jack, Karen, and the rest. Don't get me wrong, it's great to look at, Omar Dogan does a bang-up job on the art for most of the book and Jason & John Waltrip do a fantastic job emulating his style when they step onstage for the big blow-up climax. Also, let me say this again: the recolored pages look fantastic and make me wish they'd looked that way from the start. The collection is beautifully designed from front to back, the new two-page epilogue is lovely, and the bonus background data pages even have the occasional scrap that's interesting to a ROBOTECH know-it-all like me. But it's still too plot-driven and mechanical and feels more like an outline for a longer, more fleshed out story. You know, something long and serialized, kind of like the TV series from which all this was spawned. Something with a bit of soap opera between the fighting robots and military maneuvers. Recommended for fellow ROBOTECH nerds who love the old SENTINELS gang and especially the old SENTINELS comics, for the Protoculturally-deprived, and for anyone who's been staring at copies of the PRELUDE comics on eBay with jaw agape looking at those ridiculous prices. Stare no more, the book is on Amazon right now for LESS THAN THIRTEEN BUCKS. (And no, that's not an Affiliates link. I make no money off it. It's just the cheapest, most convenient route.)

0. It's not just me, right? There IS a resemblance here, isn't there?

Seriously, that LOVE & WAR collection cover was giving me deja vu for a few seconds before I realized where I'd seen something very much like it before. I'm not saying Tommy is a copycat. I'm just saying the layout is, ah, rather reminiscent of the old Antarctic Press collection cover. (The other similarity between the two books is that I'm not looking forward to reading EITHER one again any time soon. But you can bet LOVE & WAR will be on my bookshelf come December 2010, because as you all know, I have a problem.)

(I also don't have a copy of the MEGASTORM collection. I don't want to remedy that situation, but you and I both know one of these days I will. Just ... not today.)

TOMORROW: Back to the beginning. I'll be talking about "Boobytrap." Screen captures aplenty, even though you probably know the episode backwards and forwards, inside-out and upside-down.

The Roboblog Chronicles Episode 24 - What's Wrong With Edwards

First ROBOBLOG CHRONICLES video from the new digs, running more-or-less on autopilot, talkin' about one of ROBOTECH's more problematic characters. Check it out.

It's a new day.

First off, apologies for my absence from this blog for the past few weeks. Right before the holidays, an ice storm knocked out power to the better part of Southeast Kansas (as well as Southwest Missouri and most of Oklahoma) for a few days. Up 'til then I was at least posting the tidbits people sent me -- podcast reminders, notes from Roger about the movement on the toy front. Stuff like that. But even at that point nothing going on had really excited me. I mean, at this point I still haven't bought the Shadow Chronicles Whoop-Dee-Doo Edition. If I have thirty dollars burning a hole in my pocket, I'm gonna spend it on that one DVD of Paradise Kiss I don't have, not a movie I spent the better part of two years eagerly anticipating, traveled across the entire state of Missouri to watch in a theatrical presentation, and purchased the midnight it was released. That was the endpoint right there -- buying it in a store. That's where the overwhelming excitement stopped. It's gone. You can't get it back. Not without something new. Probably the only way I'll buy the Shadow Chronicles: We Want All Your Money edition is if I can find it cheap. Or if the Sam Goody Exclusive Lenticular version puts me in some kind of trance. One or the other.

Likewise, it just hasn't been in the budget to pick up any of the new Mospeada> toys, or I'd at least be able to talk about them -- though man, it does sound like I dodged a bullet there. Toys so crappy they felled the Beta Fighter. Or is that still going on? You know, I almost as a rule don't listen to podcasts, so I didn't listen to that episode of Chris Meadows's Space Station Liberty where Tommy Yune talked about all that. It doesn't actually matter, since as our good friend Roger Harkavy let me know a little while back, CM's is releasing their version (in Japan) in February, for about three hundred bucks. The thing that makes me think I need to save my pennies for that is that it looks solid -- the antithesis of the Toynami Alpha, whose plastic feels like it's going to break eight ways to Sunday with every transformation. Oh, it's got all the fiddly little details right, but it is not a playable thing, and at this point in my life that's the one thing I value in a toy above all. Do I want to take it off the shelf and play with it? I look at those photographs of the CM's Legioss, and I just want to reach into the screen, grab it, and go "ZOOM, ZOOM!" with it, it looks so durable, solid and playable. And they have a pretty damn good track record, unlike our pals at Toynami, who have been making mecha fans shake their heads gravely for over half a decade now.


Speaking of podcasts, well ... the Destroy All Podcasts guys wrapped up their "Robotech Trilogy of Pain" with Robotech The Movie: The Untold Story, and then for Christmas gave an extra-long go at Super Dimension Fortress Macross. Now, I usually listen to Destroy All Podcasts, because they like what I like -- creaky old '80s mecha shows, and they've been on kind of a ROBOTECH-related kick. But much in the same way that I missed posting their last two links -- which they kindly sent me -- I missed listening to 'em as well. So I wake up this morning (late, after a long night of watching anime and making up terrible new Power Ranger shows and bitching about Marvel and DC Comics with my friend Levi) to get this text message on my phone from pal and co-conspirator Evan:

*sigh* The DX boys diss u & ur RT blog in their latest ep, & refer 2 countless women as "bitch"es... I'm through w/ them.

I thought this was about some sort of brand-new release, and they were turning on me after not posting those last two links -- yes, I assumed such a small slight would earn me some trash talk, how they really feel now that I was apparently no longer supporting them -- but given that the only reason Evan listens to the show is the ROBOTECH-related content and nothing new popped up on the Collection DX site when I looked at it, I could only figure that Evan just finally turned on the Macross show, about which I noticed Jeremy wrote to me:

We actually mention you in this podcast. Andrew tries to talk shit and I yell at him. :)

You know, I have such a thin skin, I think I'm not gonna give that one a listen. Probably better that way.

As for the comment about all the times women are called bitches ... yeah, that sounds like Destroy All Podcasts. I enjoy it most of the time, but I do have to admit, there's a streak of (hopefully) unthinking Harry Knowles-like casual "boys' club" frat house misogyny going on there.

(And then Jeremy says, "Okay guys, I'm sorry, you were right -- that guy sucks.")

I'm sure some of you are curious what I think of the new Macross show that premiered over the Christmas holiday, Macross Frontier. Well, here's what I wrote to my pal James "Tolarin Skylar" Pickens over the break:

Two words: TOO FAMILIAR. It's a very pretty show with some neat bits to it (love the exo-gauntlets and boots, esp. the way they integrate into the Valkyrie cockpit), but unless it really winds up throwing us for a loop within the first few episodes, based on the first half hour I doubt it'll have anything to say that wasn't well stated and developed in the original Macross TV series twenty-five years ago. I couldn't help but notice all the parallels between Frontier and all the other Macross animation (good on 'em for integrating the best parts of Macross Plus's setting; it does an excellent job giving the show, despite its own farther-in-the-future setting, a modern approximation of the not-too-distant future feel of the original series) -- including Macross II (Wendy Ryder + brain = this show's singing star). It was cute for a while, but I rolled my eyes when I saw the exo-gauntlets against the sky in that familiar hand-as-plane-flying gesture Isamu always did. The "we knew this was coming" idiotic military commander nonsense was grating -- SUCH A DAMNABLE CLICHE -- and honestly, the moment when the non-military pilot leapt into the Gerwalk and started rapid-firing at the enemy mecha/creature/whatever to save the girl was the moment I decided once and for all that I just didn't care. The last three Macross shows were so much their own things -- based on what I've seen, this is nothing more than a well-polished echo.

My pal Levi tells me I should give it four or five episodes. Personally, I'd rather not bother with it. Clearly it is not for me.

Moving along ...

Regarding the comic contest, the new deadline to get your entries in (since I know some of you are still scribbling away, or scrambling to find artists, or whatnot) is ...

January 23, 2008

Mark your calendars.

Let's see, what else to mention before I wrap this thing up ... the issue of Protoculture Addicts magazine with my article on the history of the ROBOTECH franchise is currently available, so if you have six bucks sitting around (plus shipping), you can buy that. Or not. I really don't care either way. It's not like I'm seeing a nickel of that.


I'm going to end this by answering a few questions shot my way by Tariq Mohsen, whose name I goofed up on a Roboblog Chronicles video once, the poor guy. He sent these along about half a month ago, so I gotta apologize to him again. What can I say, hypothetical Jeremy is right: I suck.

Since the McKinney novels (sentinels) have been relegated to secondary canon now with the new plans with Shadow Chronicles/Rising, what is known about Janice Em? Due to the her self-sacrifice to eliminate Edwards in the Genesis Pit, has her memory been damaged to the point that she doesn't recall the REF adventures? Was she created solely by humans, a.k.a Dr. Lang, or is she part Haydonite? It seems some of the main characters, particularly Vince Grant, do not remember her. I'm not sure whether that is a further indication that she was a later creation than that suggested in the Sentinels' novels and comics. Have any thoughts?

In Prelude to the Shadow Chronicles, the original purple-haired Janice Em -- the one that was Minmei's singing partner -- drags T.R. Edwards into a Genesis Pit vat, where he mutates into a giant Regent-like beast that very nearly transfigures and ascends to a higher plane like the Invid Regess at the end of New Generation. Torn in half during the battle, Janice survives long enough to send the SDF-3 a homing pulse that they can lock onto to fire their twin-barreled synchro-cannon and destroy Edwards once and for all. Just before the cannon fires, Janice manages a long-distance upload of some of her memory banks to a new body -- the one seen in The Shadow Chronicles -- built by Lang in cooperation with the Haydonites.

Now, the temporal cues in Prelude suck because they were kept intentionally vague. But everyone acts like the end of the mess with Edwards wasn't that long ago during the epilogue scenes, maybe a week or so, so the Janice we see in The Shadow Chronicles hasn't been operational for very long at all. She also doesn't really look or act like the old Janice, so when someone like Vince Grant is getting all in her face about being a tool of the Haydonites, I don't think he realizes that there's any of the old Janice -- who he actually watched valiantly sacrifice herself on Optera -- in there. He probably thinks this is a separate android out of Lang's lab that just happens to have the same name. And seriously, given the fact that she's missing that tactless sarcastic edge of the old Janice, replaced with a wholly generic innocent "oh, humans are so interesting!" riff, I don't blame him one bit.

According to the novels and some evidence in macross-related anime (particularly Macross Plus), the mechamorphosis (and subsequent control) of Alphas and other mecha into battloid and guardian modes is atleast partially done through 'thinking-caps' that the pilots possess. This was not the case in SC, and certainly not seen in the NG tv series. Are we to assume that the thinking-caps have been "de-canonized" from Robotech lore, then?

As numerous fans have pointed out over the years, the "thinking cap" element of mechamorphosis really isn't supported by the show footage -- characters in all three generations are seen to pilot and transform Robotech mecha sans helmet on occasion (the one that jumps out at me is Scott Bernard piloting his Alpha sans armor in "Enter Marlene" -- that's actually the moment when I went "Waiiiiiit a sec!" as regards the whole "thinking cap" thing, back when I was in junior high). In Macross Plus it was only the YF-21 that had any sort of thought control, and well, you saw how well THAT went down -- there's a reason they took it out for the production run of YF-22's (seen in Macross 7), and I don't think it was expense. Thought control is a tricky thing -- a stray thought can screw up the works, hence the phrase repeated throughout the novels, "nothing extraneous in mind and body." I don't think there's anything the "thinking cap" offers that can't be put into more reliable effect with some computer algorithms to smooth out the mecha's movement -- except that McKinney wanted the transformational aspect of the Veritech to be somehow tethered to the "magical" properties of Protoculture, and attaching that to the human mind does that on some level.

In short, though, yeah, I think "thinking caps" are out.

Do you think Lynn Minmei will make an appearance in the next film/series? I know that the last time she was mentioned was in the last of the Prelude comic books, and she's being taken to Tirol by Jack Baker. Did she really have a relationship with Rem, or are we to consider that nulled until further notice from Yune and co. ? The same question about Miriya Sterling...Rick mentions that there is more than one Sterling that can lead the Skull: does he just mean Maia? For Dana is more closely associated with the Hovertanks. That leaves only Miriya. I hope the reason Dana not talking to Maia isn't because Miriya possibly passed in childbirth...? That would be a shame. I haven't read the Sentinels novels all through yet, I am still halfway through World Killers.

Tommy Yune has gone on record as saying that Lynn Minmei's story is over. The only reason she even appeared in the Prelude to the Shadow Chronicles comic book series is because T.R. Edwards' capture of her was set up in the original Sentinels storyline it was based on. The comics spent just enough time on it to wrap it all up with the minimum amount of the character -- she doesn't even get a chance to say good bye. Whether it's out of respect for the original Macross character or because he secretly hates her, I have no clue, but in any case as long as Yune is running ROBOTECH I doubt we'll see her again.

Taking that into account, consider the fact that Rem appears in the last issue of Prelude in a scene that seems to exist only to set up certain characters to use later -- him, Cabell, and Dana Sterling. If Minmei isn't going to appear and Rem is being put on deck for Shadow Rising, obviously the whole Rem & Minmei thing isn't going to happen.

You know what? That idea you had there, Miriya dying in childbirth explaining why Dana and Maia don't talk, isn't half bad. But Maia says at the end of The Shadow Chronicles that her family is on-board the SDF-3, and with Dana -- I assume, based on Prelude -- joining the action in Shadow Rising, I think she's referring to Max and Miriya.

I still think that Max and Miriya haven't show up because Harmony Gold wants to leave open the possibility of using Macross 7 as a part of ROBOTECH (as ridiculous an idea as it might be) so they don't want to commit themselves to a different set of character designs for Max and Miriya, but given the age of that show and the legal wrangling that still seems to be going on in Japan, that ship has probably sailed.

Rick's reference to more than one Sterling being able to lead the Skull is, at this point, pretty obviously just a reference to Maia, designed to make sense only after you've watched The Shadow Chronicles since Maia's last name is never given in Prelude.

We know that the Wolff alpha-beta teams are integral in the SC. But what happened to his hovertank legions? Or does the SC Wolf team have nothing to do with the original"Wolff" Pack? And now that Vince is captain aboard the Icarus (or is it the Arch Angel? I can't remember!), where is the GMU and who is in charge of it? Its a pity the hovertanks have not made an appearance yet. Then again, there hasn't been any ground-based battles in SC to begin with, so....

Remember, there was a Veritech Wolf Team referred to in the early episodes of The Macross Saga -- the same one that, in the Battlecry video game, Jack Archer served with and later took command of (or was he in command in the beginning? It's been a while since I played that game ...). I think the Wolf Squadron under Daryl Taylor was more a nod to that than a reference to Jonathan Wolfe. Though I don't think it's outside of the realm of possibility that Sentinels mainstay Jack Baker took command of the Wolf Squadron from Jonathan Wolfe himself when Wolfe took off to fight the Masters or the Invid or whatever they said in "Eulogy" ...

Vince commanded the Tokugawa in Prelude for one mission. It was destroyed, then he took command of Edwards's Icarus and led THAT ship for all of a couple days at most before trading up to the Ark Angel, which he's commanding at the end of The Shadow Chronicles. The GMU, if you're going by the Sentinels novels and comics, was lost in the destruction of the planet Praxis; who knows if it even exists in the new timeline since it was basically a G.I. Joe vehicle added to Sentinels as a concession to toy manufacturer Matchbox (at least, that's what Macek said in Robotech Art 3, IIRC).

Maybe I need to do better research, but...when the SDF-3 left Earth in 2020 (or 2022?), did it take with it the only working protoculture matrix? If so, what are the three mounds we see in Southern Cross that contain the Flowers of Life? How does SC make connection with Carl Macek's work in this regard? Could it be that when the SDF-1 was destroyed during Khyron's final attack, Zor's protoculture matrix was dispersed in the vicinity of Lake Gloval, and what remains of it is seen in Southern Cross? Then what could be aboard the SDF-3? Or did Rem help make another one later during the Sentinels expedition? I am a little confused. Please help de-mystify.

2020 according to the novels, 2022 by every other source. Remember, the timelines don't exactly match up, especially given that Harmony Gold pushed New Generation forward about eight years when they devised the timeline at Robotech.com.

The SDF-3 didn't have any Protoculture Matrix -- or maybe I should say Protoculture Factory -- when they left for Tirol. The one that's discussed in Shadow Chronicles aboard the SDF-3 is assumed to basically be the one Rem made in the novels following the Sentinels Campaign. That's the only thing that makes sense. Otherwise, well ...

One thing that always frustrated me about the early Sentinels comics and the actual TV series scripts presented in the Malibu Graphics script books is the way the characters talk like the SDF-3 is basically the SDF-1 restored. If it's the SDF-1 restored, then yeah, it would have the Protoculture Factory on-board, so when the Masters arrived, they'd find NOTHING. It contradicts the original TV show. If you just sent the SDF-1 back into space, and the Masters come to Earth, they go, "Oh shit! We just missed what we were looking for!" and double back. But no, when they see the mounds and check their readings, they know they've found the ruins of the SDF-1, and within, the lost Protoculture Factory/Matrix. So it cannot be aboard the SDF-3.

So yes, Rem probably made it. After all, he's around and we'll probably be seeing him in Shadow Rising, if the scene in Prelude meant anything.


And so I skulk back into the darkness for the time being. If you want some reliable ROBOTECH blogging in the interim, there's always Evan Cass's protoCULTURE blog. Don't worry, I'll be back. After all, I've still got a contest to wrap up ...

Later.

Now this is just getting out of hand.

This auction is for the first issue of Prelude to the Shadow Chronicles with a starting bid of 99 cents, but a "Buy it Now" price of $6.99. That seems a little unreasonable.

But this auction ... well ... it's the whole enchilada -- all five issues -- for $99.99. Good gravy! Is anyone crazy enough to pay that much for that series? Apparently someone thinks so.

They may well be right. Looking back at completed auctions within the past couple of weeks, I see the first three issues selling for $20.50, the first issue on its own selling for $8.20 and $10.50 in two different auctions, and the whole lot going for a whopping $56.00. Wow!

The point: it seems there's actually demand out there for the series, and not enough supplies to go 'round. I guess the Robotech: The Shadow Chronicles DVD has reignited some people's interest in ROBOTECH, and those folks willing to sell Prelude over the internet are reaping the benefits.